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Earning Their White Stripes. "But what I'm listening to most of the time at present is an album called Good For What Ails You, which is an album of songs that people used to listen to at medicine shows all over the States. It's quite an interesting album and I think that people would be well advised to pick it up." Jack White - Sunday Mail (Australia) Dec 18, 2005
Five Stars. Groundbreaking. "Fans of Nick Tosches' Where Dead Voices Gather will lap up this extraordinary snapshot of an America that is still shrouded in shadow. Good For What Ails You supplants the Harry Smith collections by surveying the people's music of the day, some of which sounds like nothing you have heard before." Jon Savage - MOJO Dec 2005
Before motion pictures, before radio, before television, the traveling Medicine Shows brought entertainment to America! Flamboyant pitch doctors roamed the land, hawking their tonics, elixirs, and miracle cures, and with them came a host of singers, dancers, comedians, banjo pickers, blues shouters, jug blowers, string ticklers, and minstrel men. The shows died out by mid-20th century, but not before a handful of seasoned veterans left their musical legacy on phonograph records. Here are classic performances by such colorful names as Pink Anderson, Daddy Stovepipe, Gid Tanner, Blind Sammie, Bogus Ben Covington, Fiddlin' John Carson, Banjo Joe, Shorty Godwin, Beans Hambone, Emmett Miller & His Georgia Crackers, the Three Tobacco Tags, and many more!
Two-CD Set / 48 Songs Digitally Remastered / Over 2 Hours of Music / Six-Panel Digipak with 72-page Full Color Booklet
A Profusely Illustrated History of the Medicine Shows, many Rare Photographs and Firsthand Accounts never before published, plus full discography and song descriptions.
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Hoodoo Man Blues is not only Junior Well's initial LP appearance, it is damn near the first LP by a Chicago blues band. Chess and a few other labels had issued 45's by Muddy Waters, Sonny Boy Williamson, Howling Wolf, Jimmy Reed, Elmore James, etc. but virtually no one had tried to capture the Chicago blues sound free of limitations of juke-box/airplay promotion. Delmark is proud of the part Hoodoo Man Blues played in the popularization of the real Chicago blues and of Junior Wells. But the credit belongs to Junior, Buddy, Jack and Billy - they made the music. We just sat and dug it.
''One of the truly classic blues albums of the 1960s, and one of the first to fully document the smoky ambience of a night at a West Side nightspot in the superior acoustics of a recording studio. Wells just set up with his usual cohorts - guitarist Buddy Guy (billed as 'Friendly Chap' on first vinyl pressings), bassist Jack Myers, and drummer Billy Warren - and proceeded to blow up a storm, bringing an immediacy to Snatch It Back and Hold It, You Don't Love Me, Chitlin con Carne, and the rest of the tracks that is absolutely mesmerizing. - Bill Dahl, ALL MUSIC GUIDE.
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